56 products were found matching your search for Rockefeller Center in 3 shops:

During the Great Depression a band of visionaries created a monument to the American dream: Rockefeller Center. In this book, Alan Balfour takes you behind the scenes of the planning and construction of the great metropolitan complex whose influence is still felt by architects, designers, engineers, and urban planners throughout the world. He explores the complex personalities of those who made Rockefeller Center the 20th century's proudest achievement in American architecture.

About the brand: Contemporary and colorful, Trina Turk draws inspiration from California's multicultural mix. Rockefeller Center Pant in ink and Trina pink Inseam approximately 31in Design details: Full length, flared leg, four covered buttons along the side seam from the hem Front hook and zip closure 66% Polyester, 32% Viscose, 2% Elastane Dry clean only Made in the USA

About the brand: Contemporary and colorful, Trina Turk draws inspiration from California's multicultural mix. Rockefeller Center Pant in ink and Trina pink Inseam approximately 31in Design details: Full length, flared leg, four covered buttons along the side seam from the hem Front hook and zip closure 66% Polyester, 32% Viscose, 2% Elastane Dry clean only Made in the USA

Rockefeller Center had its first Christmas tree even before any buildings rose to fill the space: in 1931, just after they cleared the site, construction workers decorated a small balsam fir with the most humble of ornaments, from garlands of paper to tin cans. Since then, the tree has become one of the wonders of the holiday season, as thousands of people come together to gaze at the bright and sparkling sight. For many, it is one of the surest signs Christmas is near.   The Rockefeller Center Christmas Tree tells the story of this now-landmark calendar event. Not only does it provide background on how the tree is chosen, cut, transported, and decorated, as well as fun facts (it now has LED lights and, after the holiday, its lumber is used for a Habitat for Humanity house), but it also follows at least one family in each decade whose pine ended up becoming one of New York’s most popular tourist attractions. Handsomely bound, with a ribbon marker, this lovely gift book makes a great stocking stuffer and a special treat for anyone visiting Rockefeller Center at Christmastime.

Rockefeller Center had its first Christmas tree even before any buildings rose to fill the space: in 1931, just after they cleared the site, construction workers decorated a small balsam fir with the most humble of ornaments, from garlands of paper to tin cans. Since then, the tree has become one of the wonders of the holiday season, as thousands of people come together to gaze at the bright and sparkling sight. For many, it is one of the surest signs Christmas is near.   The Rockefeller Center Christmas Tree tells the story of this now-landmark calendar event. Not only does it provide background on how the tree is chosen, cut, transported, and decorated, as well as fun facts (it now has LED lights and, after the holiday, its lumber is used for a Habitat for Humanity house), but it also follows at least one family in each decade whose pine ended up becoming one of New York’s most popular tourist attractions. Handsomely bound, with a ribbon marker, this lovely gift book makes a great stocking stuffer and a special treat for anyone visiting Rockefeller Center at Christmastime.

A tribute to Rockefeller Center, richly illustrated with photographs and drawings, tells the story of its planning, execution, gradual expansion, alterations, and significance as a tourist attraction and commercial venture

Rockefeller Center had its first Christmas tree even before any buildings rose to fill the space: in 1931, just after they cleared the site, construction workers decorated a small balsam fir with the most humble of ornaments, from garlands of paper to tin cans. Since then, the tree has become one of the wonders of the holiday season, as thousands of people come together to gaze at the bright and sparkling sight. For many, it one of the surest signs that Christmas is near.  The Rockefeller Center Christmas Tree tells the story of this now-landmark calendar event. Not only does it provide background on how the tree is chosen, cut, transported, and decorated, as well as fun facts (it now has LED lights and, after the holiday, its lumber is used for a Habitat for Humanity house), but it also follows at least one family in each decade whose pine ended up becoming one of New York's most popular tourist attractions. Handsomely bound, with full-color illustrations, this lovely gift book makes a great stocking stuffer and a special treat for anyone who has visited, or dreams of visiting, the Rockefeller Center at Christmastime.  

During the Great Depression a band of visionaries created a monument to the American dream: Rockefeller Center. In this book, Alan Balfour takes you behind the scenes of the planning and construction of the great metropolitan complex whose influence is still felt by architects, designers, engineers, and urban planners throughout the world. He explores the complex personalities of those who made Rockefeller Center the 20th century's proudest achievement in American architecture.

The definitive full-color art guide to a New York City landmark visited by 75 million people each year. From the beginning John D. Rockefeller incorporated art into his plans for Rockefeller Center in New York City, commissioning pieces meant to inspire the viewer with idealism, work ethics, and religion. Over one hundred major works embellish the twenty-two acre complex, making the center the world's largest indoor/outdoor urban museum. The artists include such noted figures as Gaston Lachaise, Lee Lowrie, Paul Manship, Carl Milles, Isamu Noguchi, Diego Rivera, and William Zorach. This book is the first comprehensive review of their work. Each chapter investigates a single building, illustrated with both historic and dramatic new photographs. Also included are explanations of the themes, myths, and allegories. The book provides a color-coded map of the buildings in the center and a biographical index of the contributing artists. The Art of Rockefeller Center is a treat for the art lover and anyone who has ever marveled at this great American icon. 230 color illustrations

Kate is heartbroken when her favorite tree is cut down and shipped off to Rockefeller Center for use at Christmas, along with the bird who has been living in the tree

When the giant spruce outside her window is taken away to be the Rockefeller Center Christmas tree, Kate is worried about Redbird, who has made his nest in the tree, but lucky for the both of them, Christmas is a time of magic, and anything can happen.

The definitive full-color art guide to a New York City landmark visited by 75 million people each year. From the beginning John D. Rockefeller incorporated art into his plans for Rockefeller Center in New York City, commissioning pieces meant to inspire the viewer with idealism, work ethics, and religion. Over one hundred major works embellish the twenty-two acre complex, making the center the world's largest indoor/outdoor urban museum. The artists include such noted figures as Gaston Lachaise, Lee Lowrie, Paul Manship, Carl Milles, Isamu Noguchi, Diego Rivera, and William Zorach. This book is the first comprehensive review of their work. Each chapter investigates a single building, illustrated with both historic and dramatic new photographs. Also included are explanations of the themes, myths, and allegories. The book provides a color-coded map of the buildings in the center and a biographical index of the contributing artists. The Art of Rockefeller Center is a treat for the art lover and anyone who has ever marveled at this great American icon. 230 color illustrations

The Center: A History and Guide to Rockefeller Center by Walter Karp, Van Rostand Reinhold, 1983. Brown and blue-green boards and spine with silver lettering and design; along with unclipped pictorial dust jacket in a protective Bro-Dart sleeve.

Nothing says Christmas like a Christmas tree, and the Rockefeller Center tree in New York City has said it beautifully since 1931. But how does the tree get there? One year, the tugboat captain (and author) George Matteson, his wife, and their daughter traveled by tug to fetch the giant tree. This dramatic picture book tells the story of their real-life journey up the Hudson River, and James Ransome's striking paintings capture the excitement of the trip and the pride of the young girl who helped steer the tug into New York Harbor.

In this hugely appealing book, a finalist for the Pulitzer Prize, acclaimed author and journalist Daniel Okrent weaves together themes of money, politics, art, architecture, business, and society to tell the story of the majestic suite of buildings that came to dominate the heart of midtown Manhattan and with it, for a time, the heart of the world. At the center of Okrent's riveting story are four remarkable individuals: tycoon John D. Rockefeller, his ambitious son Nelson Rockefeller, real estate genius John R. Todd, and visionary skyscraper architect Raymond Hood. In the tradition of David McCullough's The Great Bridge, Ron Chernow's Titan, and Robert Caro's The Power Broker, Great Fortune is a stunning tribute to an American landmark that captures the heart and spirit of New York at its apotheosis.

Brazilians in the United States are a relatively new wave of immigrants from South America. In the past their vast country of origin was used to receiving immigrants, not sending them out. The shift is new, and these arrivals do not necessarily fit comfortably in the midst of the huge Spanish-speaking U.S. immigration. This volume offers a broad-ranging discussion of an understudied population and also brings insights into the core issues of immigration research: how immigration can complicate issues of social class, race, and ethnicity, how it intersects with the educational system, and how it fits into the assimilation paradigm. Within the three broad categories that separate these 14 chapters, discussions by the 24 contributors illuminate the various facets of Brazilian immigration and put them in the broader context of life in the twenty-first century. Discussions of cultural icons like Carmen Miranda and Carnival, of Brazilian immigrant women, of the new generation, and of the economy of remittances are just a few examples of the wide range of topics covered in these pages.

This collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States. Founded in 1965, the Americas Society has played a pivotal role in Latin American art, from Pre-Colombian to modernism. The book brings together a cross-cultural group of art historians and curators, including Alexander Alberro, Alexander Apó stal, Beverly Adams, Cecilia Brunson, Luis Camnitzer, Thomas Cummins, Andrea Giunta, Nicolás Guagnini, Paulo Herkenhoff, Anna Indych-Lopez, Luis Perez Oramas, John Pruitt, Mary Scheider Enriquez, and Sofía Sanabrais who discuss the relevance of the institution's intricate relationships with art, economics, and politics. Essays address the emergence of site-specific practices such as Gego's Reticulárea and neo-avant-garde manifestations such as the Fashion Show Poetry Event conceived by E. Costa, J. Perrault, and H. Wiener; Marta Minujin's happenings; Michael Snow's photographs; David Siqueiros' monographic show; and the notion of landscape in the Western Hemisphere, among other significant topics. A Principality of Its Own explores the achievements, frictions, and experiments that modeled the institution from the Cold War to the present.

This collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States. Founded in 1965, the Americas Society has played a pivotal role in Latin American art, from Pre-Colombian to modernism. The book brings together a cross-cultural group of art historians and curators, including Alexander Alberro, Alexander Apó stal, Beverly Adams, Cecilia Brunson, Luis Camnitzer, Thomas Cummins, Andrea Giunta, Nicolás Guagnini, Paulo Herkenhoff, Anna Indych-Lopez, Luis Perez Oramas, John Pruitt, Mary Scheider Enriquez, and Sofía Sanabrais who discuss the relevance of the institution's intricate relationships with art, economics, and politics. Essays address the emergence of site-specific practices such as Gego's Reticulárea and neo-avant-garde manifestations such as the Fashion Show Poetry Event conceived by E. Costa, J. Perrault, and H. Wiener; Marta Minujin's happenings; Michael Snow's photographs; David Siqueiros' monographic show; and the notion of landscape in the Western Hemisphere, among other significant topics. A Principality of Its Own explores the achievements, frictions, and experiments that modeled the institution from the Cold War to the present.

Handsome color illustrations of paintings and sculptures as well as useful wares such as trade signs, weather vanes and pottery, and nonutilitarian ones like toys and whirligigs are accompanied by a substantial text which places folk art in its social and historical context. Annotation copyright Book News, Inc. Portland, Or.

With 97 color and 240 black and white illustrations.